In 1949, a whole group of multi-talented stars moved from Shanghai to Hong Kong. Mando pop rose to prominence, rivalling the presence of Canto opera music and Canto pop in a short period of time. The young Wong Jum-sum frequented radio stations and recording studios with his harmonica band members, in that process encountered in person many of these Mando pop stars and maestros, including illustrious names like Li Xian-lan, Bai Guang, Yao li and Yao Min. He also regularly collaborated with Filipino musicians who once illuminated the nightclubs of Shanghai.

These stars and musicians created a reservoir of Mando pop songs in the 1950s. The latter formed an inexhaustible treasure trove for radio music program presenters of the time.

郎是春日風 (1941)



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作曲:侯湘(李厚襄)
作詞:侯湘(李厚襄)
主唱:白虹

郎是春日風 儂是桃花瓣
但等郎吹來 儂心才燦爛

郎是春日風 儂是冰河水
但等郎吹來 束縛才粉碎

過不盡的冬日 訴不盡的愁苦
了不清的孽債 穿不起的淚珠
等郎來數一數

郎是春日風 儂是靜空月
但等郎吹來 隨郎一同伴
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