香港長期是英國的殖民地,經濟上對外開放,文化上對歐西特別寬容,西洋時尚,早在上世紀二三十年代,已經由中環一帶,向外散播。
1950年代,西洋潮流進一步滲入平民生活。
新一代的潮,由電影帶動。日戰前洋電影在本地放映的數字每年平均超過二百部。黃湛森抵港後,數字有增無減。慢慢,讀番書,看洋戲,玩舶來的呼拉圈和搖搖,在年輕人之中,變得理所當然。
新一代的潮,也由電台帶動。多謝前衛主持人Aileen Woods和Uncle Ray的忘情推介,黃湛森和同輩的年青人,天天靠近電台,面向歐西,貼近流行,學懂將Frank Sinatra、Bing Crosby、Elvis Presley與Benny Goodman一起兼聽,並且在搖頭擺腦之間,確認歐西流行曲在創作、演奏、歌唱、錄音,都不是香港或上海所能望其肩背。
電台廣播歐西流行歌曲,由聽覺開始,經過身軀,製造了新一代的口味和人格。
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Composer: Merle Travis
Lyricist: Merle Travis
Vocalist: Tennessee Ernie Ford
Some people say a man is made outta mud
A poor man's made outta muscle and blood
Muscle and blood and skin and bones
A mind that's a-weak and a back that's strong
You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store
I was born one mornin' when the sun didn't shine
I picked up my shovel and I walked to the mine
I loaded sixteen tons of number nine coal
And the straw boss said "Well, a-bless my soul"
You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store
I was born one mornin', it was drizzlin' rain
Fightin' and trouble are my middle name
I was raised in the canebrake by an ol' mama lion
Cain't no-a high-toned woman make me walk the line
You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store
If you see me comin', better step aside
A lotta men didn't, a lotta men died
One fist of iron, the other of steel
If the right one don't a-get you
Then the left one will
You load sixteen tons, what do you get
Another day older and deeper in debt
Saint Peter don't you call me 'cause I can't go
I owe my soul to the company store
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