香港长期是英国的殖民地,经济上对外开放,文化上对欧西特别宽容,西洋时尚,早在上世纪二三十年代,已经由中环一带,向外散播。

1950年代,西洋潮流进一步渗入平民生活。

新一代的潮,由电影带动。日战前洋电影在本地放映的数字每年平均超过二百部。黄湛森抵港后,数字有增无减。慢慢,读番书,看洋戏,玩舶来的呼拉圈和摇摇,在年轻人之中,变得理所当然。

新一代的潮,也由电台带动。多谢前卫主持人Aileen Woods和Uncle Ray的忘情推介,黄湛森和同辈的年青人,天天靠近电台,面向欧西,贴近流行,学懂将Frank Sinatra、Bing Crosby、Elvis Presley与Benny Goodman一起兼听,并且在摇头摆脑之间,确认欧西流行曲在创作、演奏、歌唱、录音,都不是香港或上海所能望其肩背。

电台广播欧西流行歌曲,由听觉开始,经过身躯,制造了新一代​​的口味和人格。

Seven Lonely Days (1953)



粤语版本  /  国语版本
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Composers and Lyricists:
Marshall Brown,
Earl Shuman,
Alden Shuman
Vocalist: Georgia Gibbs

Seven lonely days make one lonely week
Seven lonely nights make one lonely me
Ever since the time you told me we were thru
Seven lonely days I cried and I cried for you

Oh, my darlin' you're cryin', boo-hoo-hoo-hoo
There's no use in denyin' I cried for you
It was your favorite pastime, makin' me blue
Last week was the last time I cried for you

Seven hankies blue I filled with my tears
Seven letters, too, I filled with my fears
Guess it never pays to make your lover blue
Seven lonely days I cried and I cried for you

Oh, my darlin you're cryin', boo-hoo-hoo-hoo
Now, there's no use in denyin' I cried for you
It was your favorite pastime, makin' me blue
Last week was the last time I cried for you
Last week was the last time I cried for you
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