Since the early twentieth century, Hong Kong has always been an important venue for Cantonese opera development. After 1949, as a result of political turmoil in the Mainland, performers and troupes converged and resettled in the territory, leading to a tremendous prospering of Cantonese opera in the subsequent decade. This development is linked intimately with the rise of the electronic media.
Performers and troupes began to grasp the possibilities offered by film and radio to re-examine age-old performance practices with regard to acting, singing, script writing, instrumentation, and stage set-up. They brought in novel elements from the theatre and movie world, and participated in the production of films and records. With these acts, they are extending the movement to modernize Cantonese opera that began in the 1930s.
Wong Jum-sum was thoroughly immersed in the world of Cantonese opera from young. Through his close encounter with master performers like Hung Sin-nui, Ma Si-tsang, Yam Kim-fai, Pak Suet-sin and Tong Dik-sang, he witnessed first hand the modernization of Cantonese opera, and was mightily moved by the adventure and passion he saw.
作曲：呂文成
作詞：周聰
主唱：周聰、呂紅
呂：尋伴侶大眾歡樂趣
周：求淑女愛她癡心最
合：日日快樂唱隨
做一對好佳侶~唏
呂：情味趣 令我心亦醉
周：尋樂趣 兩家歡心對
合：漫步兩岸柳垂
春光照我心裡~唏
呂：與哥愛戀沒顧慮
周：每日與嬌兄暢聚
呂：同是良伴有樂趣
周：卿是我終生伴侶
合：情味趣大眾心亦醉
尋樂趣兩家歡心對
日日快樂唱隨
春光照我心裡～唏
周：求熟女為了增樂趣
呂：尋伴侶兩家一雙對
合：日日快樂唱隨
做一對好佳侶～唏
周：情味醉令我心亦醉
呂：情味趣都愛他歡心對
合：漫步兩岸柳垂
春光照我心裏～唏
周：與卿愛戀沒顧慮
呂：每日與哥哥暢聚
周：同是良伴有樂趣
呂：哥是我終生伴侶
合：求伴侶為了增樂趣
情味醉兩家歡心對
日日快樂唱隨
春光照我心裡～唏
周：與卿愛戀沒顧慮
呂：每日與哥哥暢聚
周：同是良伴有樂趣
呂：哥是我終生伴侶
合：求伴侶為了增樂趣
情味醉兩家歡心對
日日快樂唱隨
春光照我心裡～唏
