香港向来是传统的粤剧重镇，1949年之后，因为政治动荡，红伶戏班更多以港为基地，粤剧粤曲人材，新老结合，阵容鼎盛。很快，香港转型，粤曲粤乐跟着转型，它走的路，跟新兴的电声媒体，息息相关。

首先，部份粤剧团队艺人因为市场相对兴旺，加上拍电影容易带来收益，而表现因循，演艺停滞不前。

同样条件，却促使另一部份团队艺人，借助电台和电影的技术和平台，钻研粤剧演艺。他们刻意发掘新兴电声媒体的潜力，积极灌录唱片和制作电影，并因应这些媒体的特性，创造新的表演美艺，延续自三十年代已经开始的粤剧现代化改革。

黄湛森自幼多听粤曲、常看粤剧，在舞台、银幕和大气电波，透过红线女、马师曾、任白和唐涤生等人的倾情演出，亲身体会粤剧现代化的细艺和感动。

You're the Right One (1953)

Composer: Harry Warren
Lyricist: Jack Brooks
Vocalist: Dean Martin

Your the right one
Yes, the right one
I have never been so sure
Of anyone before

Your the first time
And the last time
You're the one time
They'll be no more

You're the star
That always seems so far
But darling here you are
For all the world to see

So if you love me
Say you love me
For I know that
You're the right one for me

You're the star
That always seems so far
But darling here you are
For all the world to see

So if you love me
Say you love me
For I know that
You're the right one for me